3-time Latin Grammy nominee Jovino Santos Neto is a master pianist, flutist, composer, arranger and conductor from Rio de Janeiro. After 15 years as a member of the legendary Hermeto Pascoal Group, he moved to Seattle in 1993. Since then, Jovino has established himself as a fascinating performer, whether playing solo piano, leading his award-winning Quinteto, or in guest appearances with ensembles and orchestras worldwide. He has shared the stage and the studio with some of the most creative musicians of our times. Jovino is available for lectures on the connections between biology and music, usually coupled with his live performances. He taught at Cornish College of the Arts in Seattle for 26 years.
Piano manufacturing is, by its nature, a materials-intensive craft. A modern grand piano contains roughly 12,000 individual components. It requires carefully selected hardwoods — spruce, maple, beech, walnut — sourced from forests in multiple countries. It uses felt, leather, metal alloys, and chemical finishes. Building one well takes skilled labor spanning months.
In January 2026, the Consumer Electronics Show in Las Vegas included something that would have seemed out of place a decade ago: a piano technology exhibit generating genuine buzz alongside the televisions, smartphones, and AI gadgets that dominate the show floor. The products on display — connected instruments, app-integrated learning systems, multi-device MIDI setups — weren't novelties. They were the direction the piano industry is heading.
For years, the piano world operated on a fairly clean division: acoustic instruments for those who could afford the space and maintenance, digital pianos for everyone else. That division has been eroding steadily, and by 2026, it has given way to something more interesting — a category of instruments that refuses to sit neatly on either side of the line.
